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Once again, however, things in Syracuse were not at all to Plato's liking.
Plato's works also contain the origins of the familiar complaint that the arts work by inflaming the passions, and are mere illusions. Their political activities, however, are not seen as laudable ones by historians. Charmides' own uncle, Critias, was the leader of the Thirty.
We also are introduced to the ideal of "Platonic love:" Plato saw love as motivated by a longing for the highest Form of beauty—The Beautiful Itself, and love as the motivational power through which the highest of achievements are possible. One of Plato's uncles (Charmides) was a member of the notorious "Thirty Tyrants," who overthrew the Athenian democracy in 404 B. Plato's relatives were not exclusively associated with the oligarchic faction in Athens, however.
Because Aristotle has no reason not to be truthful about this issue, many scholars believe that his testimony provides a solid basis for distinguishing the "Socrates" of the "early" dialogues from the character by that name in Plato's supposedly later works, whose views and arguments Aristotle suggests are Plato's own.
One way to approach this issue has been to find some way to arrange the dialogues into at least relative dates.
Plato is one of the world's best known and most widely read and studied philosophers. There are varying degrees of controversy over which of Plato's works are authentic, and in what order they were written, due to their antiquity and the manner of their preservation through time.
He was the student of Socrates and the teacher of Aristotle, and he wrote in the middle of the fourth century B. Nonetheless, his earliest works are generally regarded as the most reliable of the ancient sources on Socrates, and the character Socrates that we know through these writings is considered to be one of the greatest of the ancient philosophers.
Dion subsequently gathered an army of mercenaries and invaded his own homeland.
But his success was short-lived: he was assassinated and Sicily was reduced to chaos. The effects of this influence can perhaps be seen in the mature Plato's conception of the sensible world as ceaselessly changing.
It has frequently been assumed that if we can establish a relative chronology for when Plato wrote each of the dialogues, we can provide some objective test for the claim that Plato represented Socrates more accurately in the earlier dialogues, and less accurately in the later dialogues.