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Once you find them, you can leave a tiny boost on them if you like if it adds a weight to the body you like.Also try doubling the frequencies or halving them and boosting a bit there.
You can learn more about dealing with this area, which is troublesome for most newcomers, in our Low-End Balance article.
In the same vein, as you're making precision cuts in the middle and higher frequencies, you can slap a high pass filter on the master output for less distraction and aural clutter.
If you find yourself boosting more than 3-5 d B, you should be considering cutting instead.
Here's why, based on this mixing axiom: Typically the issue with any track is a narrow band of frequencies that you want to reduce.
When you boost a wide range it may mask that troubling range but you've reduced all other frequencies in volume in the end when you compensate by reducing the volume for that track later.
Instead if you laser focus and train your ears to find the bad frequencies and work only on them, you'll end up with a much more natural and pleasing mix in the end. Slowly sweep it up and down the frequency spectrum until that nasty sound you're hunting for pops out like a sore thumb. At that point widen the Q just a bit, staying centered over the worst frequency, and then drop the boost to a cut.But your listener on tiny headphones or cruddy computer speakers will hear every bit of it since they won't be hearing the bass as well.Make sure you dig in and fix all of that by removing the low-end distractions. You need to hear their harmonics in the mids as they compete with everything else.Just like most instruments don't have any reason to be emitting sounds in the sub-bass regions, most have no reason to be in the extreme high-end either. Most instruments can have a slight roll-off as pictured below: Once you clear out the space, you can work with cymbal, snare, chimes, etc., more clearly.Getting the sparkle up there is a very delicate process. Nobody can stand ear-piercing sounds no matter how good the rest of the mix is.You have enough headroom for boosting and I'm not at all saying don't boost, but the disadvantage is that you introduce artifacts, distortions, and reduce your resolution by pushing it through the roof instead of freeing up headroom. You have the software volume and you have your speaker volume.